- Final Cut Pro - Apple
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- Final cut pro x apple prores 422 hq free downloadwhere do i download prores - Apple Community.Final Cut Pro X update introduces ProRes RAW and advanced closed captioning - Apple
Web lafcpug. Transcode and optimize are available when importing media from your camera or hard drive, or if you choose to transcode after import. Share is exporting and rendering is the process that creates a new file when you color correct a clip, add an effect to it, change the timing of it, etc with all of your changes baked in to the new clip.
When you import media into Final Cut Pro X you have the option to transcode it. You have two Transcoding choices - "Create optimized media", if the media is not already optimal for use in FCPX or "Create proxy media".
When you drag media from the Finder into an event or timeline in Final Cut Pro, it will obey Final Cut Pro's import preference setting. So if you have "Create optimized media" selected in your import preference, Final Cut Pro X will transcode your media. Optimized media is almost always ProRes Proxy media is always ProRes proxy.
Final Cut Pro transcodes and optimizes your files after the import of the source media is complete. If you want to monitor the progress of your transcode, you can do so in the Background Tasks window. If your media is already in a format that can be edited with good performance, "Create optimized media" will not be selectable. You can also transcode your media after importing.
To do so, control-click one or more clips in the Event Browser and choose "Transcode Media" from the dropdown menu. You'll be greeted with the same two transcoding choices as above - Create optimized media or Create proxy media. You can also create a proxy file for a clip using the Info Inspector. To use proxy playback you must have proxy versions of your media available. Transcoding to the ProRes codec provides better performance during editing and faster render times but it does not increase the quality of the original source files.
The downside of ProRes is the file size - it can be about four times the size of the original file format, typically a version of H. Select your project in the project library then go to the settings tab at the bottom right corner of the inspector. The settings tab has a little wrench icon.
The project settings window will pop up and there you can choose your render format. If you transcoded your media to ProRes , it would make sense to render as ProRes or higher. Info on Apple's ProRes codec is available here. For some reason ProRes , HQ and LT are available for exporting and rendering but not available for transcoding and optimizing. When you export your timeline as a Master File via the timeline Share menu So what's the determining factor on whether you transcode your media or not?
If you're getting good performance while editing your original source files, transcoding might not be necessary. I edit with native H.
But if you are going to do a lot of compositing, color correcting or adding lots of titles or effects, you will be rendering quite a bit of your timeline to ProRes.
In that case transcoding all of your media to ProRes is a good idea. You can always try a sample project with and without transcoding to see which you'd prefer. When rendering, four versions of ProRes are available and when exporting all five versions of ProRes are available.
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